Chickadee by Louise Erdrich
My rating: 4 of 5 stars “Small things have great power” The first three books in Louise Erdrich’s The Birchbark House series take Omakayas from seven years old in 1847 to twelve in 1852 and her family from the Island of the Golden-Breasted Woodpecker in Wisconsin to the magical forested islands and lakes of Minnesota. The fourth book, Chickadee (2012), jumps forward fourteen years to 1866, when Omakayas is married to Animikiins (first known as Angry Boy) and the mother of eight-year-old twin boys, Chickadee and Makoons (Little Bear), and the foster mother of Zozie, the daughter of her cousin and childhood rival Two Strike. The story depicts what happens to the loving, closely-knit family and the inseparable twins when Chickadee is kidnapped by a buffoonish and muscular pair of mail-delivery brothers Babiche and Batiste and taken far away. The novel proceeds in multiple point of view strands, one depicting Chickadee on his own, the others the different family members searching for him or waiting for him to return. There is much humor in the novel. Chickadee’s misperception of Catholic Sisters, Mother, and Father as a strange family is cute, as is his observation of the two brothers Babiche and Batiste who love each other as much as Chickadee and Makoons love each other and are comical rather than hateful: “Your fist is hard,” said Batiste. “And as large as your own head.” “Har, har, har,” laughed Babiche. “You are very funny, my brother.” Chickadee is an authentic boy, as when he regrets his name: “Why couldn’t he have a protector like the bear or the lynx or the caribou or the eagle? Why was he singled out by such an insignificant little bird? He had a sudden thought that appalled him--he would be a grown man and still be called Chickadee! What kind of name was that for a grown warrior? He groaned.” Luckily, he has a wise great-grandmother, Nokomis, who tells him about his namesake: “He is a teacher. The chickadee shows the Anishinabeg how to live. For instance, he never stores his food all in one place. . . . The chickadee takes good care of his family. The mother and the father stay with their babies as they fly out into the world. They stick together, like the Anishnabeg. . . . The Chickadee is always cheerful even in adversity. He is brave and has great purpose, great meaning. You are lucky to have your name.” The moments of Chickadee’s culture shock, whether seeing for the first time the prairie (“Where were the trees? Where were the hills? And again, where were the trees?”) and a city (“This mouth, this city, was wide and insatiable. It would never be satisfied, thought Chickadee dizzily, until everything was gone”), or hearing for the first time violins (“the crying music that sometimes skipped and sometimes wailed”) are fine. And the twins’ love for each other is poignant: “Chickadee and Makoons curled together under one fluffy rabbit-skin blanket. Warm and full, lulled by the grown-ups’ voices, they fell into a charmed sleep and dreamed, as they always did, together.” So it is all the more painful when they’re separated, and when one brother is eating he tries to imagine what the other is eating, and when one brother is falling asleep with a painful chest he says the name of the other. There are moments of vivid life in the novel, as when “Animikiins drew his knife and sliced out the moose’s tongue and liver. He brought both into the shelter, heaped snow against the opening, and ate a bloody, raw, satisfying meal before he dozed off to sleep.” However, apart from some vivid details about the Metis community (mixed race Indian-whites who enjoy fiddle music, singing, and dancing and colorful clothes and go on long buffalo hunting trips in ear piercingly noisy wagons made completely out of wood), and a neat explanation of why the Ojibwe don’t point at people or things, the level of absorbing and authentic detail illustrating how Ojibwa lived in the mid-19th century, developing the characters, and making the previous three novels in the series so outstanding, is lower here. Another noticeable lack is Bizheens, Omakayas’ beloved adopted baby brother who plays a neat role in the second and third books. In The Porcupine Year (2008) Omakayas thinks, “He was the best thing that had ever happened to her, ever . . . this little brother who adored her no matter what she did.” So where is he now? Her other family members from the previous books are present: grandmother Nokomis, mother Yellow Kettle, father Deydey, big sister Angeline and her husband Fishtail, younger brother Pinch/Quill, and cousin Two-Strike. So what happened to Bizheens, who should be about sixteen by now? Did Erdrich want to focus on the twins and so removed Bizheens from the family and the series without bothering to write an explanation? How dissatisfying! The novel is the shortest in the series so far, and is a less is more work, so much so that there isn’t enough of it, too few characters making their presence felt, so that, for example, I forget about Yellow Kettle till she says something suddenly out of the blue, so that I want more of the ever fierce loner Two Strike (I love the scene where she lets Omakayas hug her after promising to retrieve Chickadee), and more of Nokomis, Deydey, and Angeline. And I wished for more Omakayas! After developing her so much as the appealing protagonist in the first three books, with her hearing voices of spirits telling her what to use for medicine, being in tune with bears, having a crow pet, being a natural healer, and having dreams that help save Deydey’s life as well as a vision of her future life, in this fourth book she’s just a loving and worried mother with too few compelling traits and point of view passages. But much of my disappointment in the fourth book is due to the excellence of the first three in the series, and readers who liked them should like this one (though readers new to the series should begin with the wonderful first book, The Birchbark House). View all my reviews
2 Comments
R. Moore
8/3/2022 03:19:50 pm
I completely agree! Where is the depth of the characters in this fourth book? Where did Bizheens go? That is a massive plot hole as he was so important to Omakayas. This book was definitely a bit of a letdown. I think that the stories of Chickadee, book 4, and Makoons, book 5, could have been put together in one book.
Reply
JP
8/3/2022 03:25:42 pm
I like your idea that books 4 and 5 could've been put together in one book. That might have made them both seem deeper or richer or something. Also, I wanted more from Omakayas... Anyway, in the fourth and fifth books, her sons are less interesting to me than she was at their age :-)
Reply
Leave a Reply. |
Jefferson Peters
This blog is for book reviews. Please feel free to comment on any of the reviews! Categories
All
Archives
April 2024
Jefferson's books
by Sabaa Tahir
A Young Adult Epic Fantasy with Lots of Violence & Romance
Elias is an elite Martial soldier, Laia a naïve Scholar slave. As they alternate telling their stories (in trendy Young Adult first person, present tense narration), we soon rea...
"It must be due to some fault in ourselves"--
George Orwell's Animal Farm (1945) is an anti-totalitarian-communist allegory in which the exploited animals of the Manor Farm kick Farmer Jones out and set about running the farm. At first...
by Lu Xun
Perfect Stories of Life in Early 20th Century China
Chinese Classic Stories (1998) by Xun Lu is an excellent collection of seven short stories by perhaps the most important 20th century Chinese writer of fiction. Lu Xun (1881-1936) stu...
Fine Writing, Great Characters, Immersive World
The Surgeon's Mate (1980) is the 7th novel in Patrick O'Brian's addicting series of age of sail novels about the lives, loves, and careers of the British navy captain Jack Aubrey and the ...
An Overwritten, Oddly Compelling Gothic Father
Matthew Lewis' notorious and influential Gothic novel The Monk (1796) takes place during the heyday of the Spanish Inquisition. Ambrosio, the monk/friar/abbot/idol of Madrid, is nicknamed ...
|
My Fukuoka University