Graceling by Kristin Cashore
My rating: 3 of 5 stars “Mercy was more frightening than murder because it was harder” Eighteen-year-old (or so) Katsa is a Graceling, possessed of a special gift (Grace) like a superpower in X-men or Heroes, in her case, a preternatural ability for killing. She is far less subject to fatigue, pain, hunger, thirst, cold, sickness, injury, and so on than normal (Graceless?) people and far quicker and stronger and more dexterous, resourceful, and creative etc. in fighting, hunting, swimming, etc. Not having any parents, she has been exploited for several years by her uncle King Randa as his attack dog-thug, being sent on missions to intimidate and physically punish any lord or commoner who dares cheat or diss the King. But lately she’s started chafing at that service, refusing to harm basically innocent people for Randa and starting the Council, a secret society spreading throughout the Seven Kingdoms to protect powerless people from the powerful. And such is the virtue of her cause that she has brought into the Council King Randa’s own spy master Oll, his own son Prince Raffin (a cool possibly gay guy into science, medicines, and his assistant Bann), and one of his most important young lords Gidden. When the first novel in Kristin Cashore’s Graceling Realm series, Graceling (2008), begins, Katsa is on a Council mission (unknown to King Randa) to rescue this Lienid grandfather prince from the dungeon of the King Murgon, so we get a good glimpse of her formidable fighting skills as she easily knocks out several dungeon guards and a dozen or so castle guards—until she almost meets her match in the person of Greening Grandemalion (call him Po), a handsome, be-ringed young Leinid prince not much older than she and apparently Graced with fighting ability (because he sure knows where each of her lightning-fast blows is going to land and act accordingly to avoid them…) The novel will develop the relationship between Katsa and Po in rather convincing, interesting, and moving ways as the plot (full of concise world building, exciting action, surprising reveals, complex romance, grueling adventure, and a boss villain with a scary Grace) puts them through the wringer and challenges Katsa’s understanding of herself, her Grace, and her lover. Interestingly, although the novel was published in 2008, the audio book version didn’t get made til 2022, so it is another example of a book that was first published before audio books were so popular and that has benefited from the popularity of audiobooks. Reader Xanthe Elbrick really enhances the story. The novel recalls Robin Hobb’s earlier Assassin’s Apprentice. A young highly trained, skilled, and effective killer for a king; the conflict between doing the dirty work for a demanding master and wanting to be free to live your life; the ethics of killing; etc. But of course Katsa is a she, and everyone knows what she is and what she can do, which is part of why they shun her, while in Fitz's case it's because they know he's a bastard without having any idea he's a highly trained spy assassin. And Fitz doesn't start his own "Council," but stays more a tool of the Farseers. It also reminds me a bit of The Murderbot Diaries, because although Katsa refers to herself as a monster, she’s really a human survivor-savior. Cashore’s novel indulges in a bit of YA Special Princess Heroine Overkill, in that Katsa is a beautiful orphan, she complains of having no friends but really has several good ones, she has a really cool love interest, she’s basically not one princess but two, she’s a great fighter (the best in her kingdom), and (so far) her unique Grace is countless Graces rolled into one. Because there is (so far) no explanation for the Grace system, where the abilities come from, how they actually work, who gets one, why it manifests as it does in a person, why Graced people have one eye one color and one eye another (apart from being cool), and so on. This permits Cashore to come up with any kind of Grace with any kind of rules needed to suit her plot. And the climax is over too quickly. However, I had such a great time listening to the audiobook, which was funny, exciting, suspenseful, moving, surprising, and so on (and has some great stuff re to marry and have kids or not and how it'd be to be close to someone who can basically read your thoughts), so that I really had to kind of flog myself to find flaws because I just wanted to enjoy the ride to the end. I also appreciate that apparently each Graceling book can stand by itself. Will I go on to listen to other books in the series? Hmmm…… View all my reviews
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Jefferson Peters
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